| Week | Topics | Study Materials | Materials |
| 1 |
Students are introduced to the concept of free drawing and select themes and expressive approaches they will explore throughout the semester.
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Readings on art criticism
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Criticizing Art (Terry Barrett)
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| 2 |
Warm-up drawing exercises are conducted using various materials, introducing the effects of pencil, pen, marker and other tools.
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| 3 |
Quick observational sketching practices are undertaken to focus on correct proportions, mass relationships and visual accuracy.
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| 4 |
Applied drawing studies on light–shadow relationships, tonal transitions and techniques for creating volume are carried out.
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| 5 |
Composition building through objects and still-life setups is explored, with guidance on perspective and depth perception.
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| 6 |
Experimental drawing applications are conducted focusing on texture, surface effects and varied linear expressions.
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| 7 |
Form analysis is practiced using live models or objects, emphasizing anatomical structure and gesture lines.
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| 8 |
A midterm critique is conducted to discuss students’ drawing development, strengths and areas needing improvement.
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| 9 |
Preparing a composition for Freehand Drawing.
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| 10 |
Individual guidance is provided to improve the ongoing free drawing in terms of composition, expression and material use.
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| 11 |
The development of a coherent drawing series is supported through studies focused on thematic consistency.
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| 12 |
Students are encouraged to produce creative, experimental drawings combining various techniques and approaches.
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| 13 |
Work is carried out on the presentation, arrangement and portfolio-ready selection of produced drawings.
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| 14 |
Students present their completed drawing works and final series for evaluation.
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| 15 |
Evaluation of application studies
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