| Week | Topics | Study Materials | Materials |
| 1 |
The scope of Free Drawing II is introduced, and students determine the creative expressive approaches and thematic directions they will develop throughout the semester.
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Ratio-Proportion Information
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Visual Design Elements and Principles (Vedat Özsoy, Abdullah Ayaydın)
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| 2 |
Explorations of alternative surfaces begin through drawing experiments on cardboard, kraft paper, textile materials and recycled surfaces.
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| 3 |
Technical instruction is given on producing drawings with oil paint on paper, exploring the interaction between line and tonal mass.
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| 4 |
Mixed-media applications (charcoal–pastel–ink) are used to create diverse textures and enhance surface richness.
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| 5 |
Creative expression is expanded through spontaneous and free-form line production exercises.
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| 6 |
The relationship between storytelling and drawing is explored by producing narrative-based drawings inspired by a short text.
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| 7 |
An experimental process on music–drawing interaction is conducted, examining how rhythm, tempo and emotional intensity translate into line.
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| 8 |
A midterm critique is held to discuss students’ works in terms of technique, expression and creativity.
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| 9 |
Midterm Exams
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| 10 |
Large-scale surface drawings are produced focusing on dynamic line exploration and movement-based compositions.
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| 11 |
A collective drawing project is initiated, allowing students to collaboratively produce a shared large-surface artwork.
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| 12 |
Students continue individual projects, deepening their chosen techniques, surfaces and personal expressive approaches.
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| 13 |
Produced drawings are organized into a portfolio-ready selection, focusing on sequencing and presentation standards.
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| 14 |
Students present their final drawing series and the creative approach they developed throughout the semester for evaluation.
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| 15 |
Final Examinations
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