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Language of Instruction
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Turkish
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Level of Course Unit
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License
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Department / Program
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Painting
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Type of Program
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Formal Education
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Type of Course Unit
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Compulsory
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Course Delivery Method
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Face To Face
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Objectives of the Course
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To develop the ways of seeing by focusing on the concept of objects in the field of plastic arts. To ensure the development of the individual in line with the creative fields.
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Course Content
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The student is expected to synthesize with the knowledge and experience gained during his undergraduate period, to establish his own visual world with a unique language, and to become competent in this direction. It is ensured that the student, who puts forth studies on the axis of individual themes, becomes competent with references and criticisms in order to authenticate and empower his personal tendencies and preferences.
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Course Methods and Techniques
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Prerequisites and co-requisities
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None
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Course Coordinator
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None
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Name of Lecturers
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Prof. ALİ ASKER BAL
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Assistants
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None
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Work Placement(s)
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No
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Recommended or Required Reading
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Resources
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- O. Doherty Brain, Beyaz Küpün İçinde, çev: Ahu Antmen, Sel Yayınları., 2010 - Güncel Sergi ziyaretleri - Shiner, Larry, Sanatın İcadı, çev: İsmail Tükmen , Ayrıntı Yay., 2010 - Charles Harrison / Paul Wood: ?Art and Theory: 1900-2000?, Phaidon Press, 1998, London -Cream 3, (edited by different numbers of curators and artists), Phaidon Press, London 2002 -Mehmet Yılmaz: Modernizmden Postmodernizme Sanat, Ütopya Yay., Ankara, 20006 -Peter Burger, Avangard Kurami, Iletisim Yayinlari -Plastik Sanatlar alanında yayın yapan sanat dergileri -İnternet ortamında var olan sanat eserlerine dair metinler, makaleler, dökümanlar, görseller, videolar
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Course Notes
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Tunali, I. (2013). Modern Painting in the Light of Philosophy. Istanbul: Remzi Publications.
Keser, N. (2009). Art Dictionary. Ankara: Ütopya.
Antmen, A. (2016). Artists with Authors and Explanations: Movements in 20th Century Western Art. Istanbul: Sel.
Fineberg, J. (2014). Art from 1940 to the Present: Strategies for Being. Izmir: Karakalem.
Hollingsworth, M. (2009). World Art History. Istanbul: İnkılap.
Ziss, A. (2011). Aesthetics: The Science of Artistic Assimilation of Reality. Istanbul: Hayalbaz.
Cheshire, L. (2019). Highlights of Art. Istanbul: Hep.
Hodge, S. (2018). 50 Art Ideas. Istanbul: Domingo.
Barrett, T. (2019). Why This Art?: Aesthetics and Criticism in Contemporary Art. Istanbul: Hayalperest.
GOMBRICH, E.H. (1982). The Story of Art. Istanbul: Remzi.
SÖZEN, Metin & TANYELİ, Uğur. (1992). Art Dictionary. Istanbul: Remzi.
TURANI, Adnan (1992). World Art History. Istanbul: Remzi.
WOLFFLIN, Henrich (1982). Basic Concepts of Art History. Istanbul: Remzi.
RICHARD, Lionel (1982). Expressionism. Istanbul: Remzi.
SERRUZALLAZ, Mavrice (1983). Impressionism. Istanbul: Remzi.
Lynton, Norbert (1982). The story of modern art. Istanbul: Remzi.
Cheng, F. (2006). Emptiness and Fullness. Istanbul: Image.
Eroglu, O. (2018). Who is the Artist in Our Painting Art?. Istanbul: Tekhne.
Edwards, B. (2011). Drawing with the Right Side of the Brain. Istanbul: Revolution.
Berger, J. (2014). Steps Towards A Little Theory of the Visible. Istanbul: Metis.
Turani, A. (2011). Contemporary art philosophy. Istanbul: Remzi Publications.
Arnheim, R. (1977). The Dynamics of Visual Form, Berkeley: University of California Press.
Lively, S. (2015). Human Anatomy in Plastic Arts Education. Istanbul: Literaturk Academia.
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